Tatsuo Miyajima: Kim Sun Jung My first encounter with Tatsuo Miyajima’s work was at ‘Special Exhibition of Rec […]...
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‘Tatsuo Miyajima: Count of Life’ Catalogue of Artsonje Center, Seoul, 2002, (Essay by Kim Sun Jung )
07/09/2002
‘WHITHER THE ARTS?’ : Tatsuo Miyajima, Catalogue of the Japan Pavilion at the ’48th Venice Biennale’, 1999, (Essay by Junichi Shioda)
06/06/1999
Whither the Arts? Junichi SHIODA (Commissioner, the Japan Pavilion at the 48th Venice Biennale) What is the st […]...
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“Zero Does Not Count”，笔录，1997年，第1期，第三卷（Janice Hart和Alan Woods采访）
24/06/1997
Tatsuo Miyajima : My performance work has its origins in 1980, when I was a student at art school. I was interested in performance art for five years and then stopped for ten years, during which time I turned to the idea that objects might be perpe...
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‘Keep Changing, Connect with Everything, Continue Forever’ , “Frieze, vol. 3”, 1992, (Interview by James Lingwood)
01/10/1992
M : When we look at European and Asian people, they immediately appear to be different, but the more we understand they are the same. And then, as we get to know them further, we identify them as separate individuals. That is why I use similar mate...
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Tatsuo Miyajima’s chronovision, ‘133651’, Catalogue of Museum Het Kruithuis, ’s-Hertogenbosch, and daadgalerie, Berlin, (Essay by Lynne Cooke), 1991
15/06/1991
Tatsuo Miyajima’s chronovision Lynn Cooke “Absolute, true and mathematical time…flows equably, without […]...
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