{"id":343,"date":"2014-06-13T19:41:16","date_gmt":"2014-06-13T10:41:16","guid":{"rendered":"http:\/\/tatsuomiyajima.com\/?page_id=343"},"modified":"2025-10-23T17:25:53","modified_gmt":"2025-10-23T08:25:53","slug":"solo","status":"publish","type":"page","link":"https:\/\/tatsuomiyajima.com\/chinese\/cv\/solo\/","title":{"rendered":"\u4e2a\u5c55"},"content":{"rendered":"\r\n2025<\/td>\r\n“Human Life as Collective Experience” \u4e9a\u6d32\u5927\u5b66\u9644\u5c5e\u73b0\u4ee3\u7f8e\u672f\u9986\uff0c\u53f0\u6e7e\u53f0\u4e2d<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“Endless Life Cycles” Tao Art\uff0c\u53f0\u6e7e\u53f0\u5317<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“Folding Cosmos” Gallery BATON\uff0c\u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“Many Lives” \u91cc\u68ee\u753b\u5eca\uff0c\u7f8e\u56fd\u7ebd\u7ea6<\/td>\r\n<\/tr>\r\n\r\n2024<\/td>\r\n“Life Face On Gold” Buchmann Box\uff0c\u5fb7\u56fd\u67cf\u6797<\/td>\r\n<\/tr>\r\n\r\n2023<\/td>\r\n“Life Face on Gold” Akio Nagasawa Gallery\u94f6\u5ea7,\u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“Infinite Numeral” Gallery BATON,\u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“Numerical Beads Painting” SCAI THE BATHHOUSE, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n2022<\/td>\r\n“TIME” \u5317\u5e03\u62c9\u73ed\u7279\u7f8e\u672f\u9986, \u8377\u5170\u65af\u6d77\u5c14\u6258\u4ea8\u535a\u65af<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“\u5bab\u5c9b\u8fbe\u7537\uff1a\u4f17\u751f\u7686\u6709\u827a\u6027” \u91cc\u68ee\u753b\u5eca, \u82f1\u56fd\u4f26\u6566<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“Tatsuo Miyajima – UNSTABLE” Buchmann Galerie, \u5fb7\u56fd\u67cf\u6797<\/td>\r\n<\/tr>\r\n\r\n2021<\/td>\r\n“KURA\u5c55 ‘TATSUO MIYAJIMA'” ISSEY MIYAKE KYOTO, \u65e5\u672c\u4eac\u90fd<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“Tatsuo Miyajima: Innumerable Counts”\u6c83\u5c14\u592b\u65af\u5821\u5e02\u7acb\u7f8e\u672f\u9986, \u5fb7\u56fd<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“\u4e0d\u65ad\u53d8\u5316” Akio Nagasawa Gallery \u94f6\u5ea7\u9986, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“\u6c38\u8fdc\u6301\u7eed” Akio Nagasawa Gallery \u9752\u5c71\u9986, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n2020<\/td>\r\n\u201cConnect with Everything,\u201d Gallery BATON, \u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cUncertain,\u201d SCAI THE BATHHOUSE, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cTatsuo Miyajima: Chronicle 1995\u20132020,\u201d \u5343\u53f6\u5e02\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u5343\u53f6<\/td>\r\n<\/tr>\r\n\r\n2019<\/td>\r\n\u201cSky of Time,\u201d \u57c3\u65af\u6ce2\u73b0\u4ee3\u827a\u672f\u7f8e\u672f\u9986\uff0c\u82ac\u5170\u57c3\u65af\u6ce2<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cTatsuo Miyajima,\u201d \u52a0\u5229\u798f\u5c3c\u4e9a\u5723\u5df4\u5df4\u62c9\u827a\u672f\u535a\u7269\u9986\uff0c\u7f8e\u56fd\u52a0\u5dde<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cCounting,\u201d Akio Nagasawa Gallery Ginza, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201c\u5bab\u5c9b\u8fbe\u7537\uff1a\u5982\u6765\u201d \u4e0a\u6d77\u6c11\u751f\u73b0\u4ee3\u7f8e\u672f\u9986\uff0c\u4e2d\u56fd\u4e0a\u6d77<\/td>\r\n<\/tr>\r\n\r\n <\/td>\r\n\u201cInnumerable Life \/ Buddha,\u201d \u91cc\u68ee\u753b\u5eca\uff0c\u7f8e\u56fd\u7ebd\u7ea6<\/td>\r\n<\/tr>\r\n\r\n2018<\/td>\r\n\u201dTATSUO MIYAJIMA \u2013 DRAWINGS,\u201d Buchmann Gallery, \u5fb7\u56fd\u67cf\u6797<\/td>\r\n<\/tr>\r\n\r\n2017<\/td>\r\n\u201cLIFE (complex system),\u201d SCAI THE BATHHOUSE, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n2016<\/td>\r\n\u201cTatsuo Miyajima: Connect with Everything,\u201d\u6fb3\u5927\u5229\u4e9a\u5f53\u4ee3\u827a\u672f\u535a\u7269\u9986\uff0c\u6fb3\u5927\u5229\u4e9a\u6089\u5c3c<\/td>\r\n<\/tr>\r\n\r\n2014<\/td>\r\n\u201cTatsuo Miyajima \u2013 KU,\u201d\u91cc\u68ee\u753b\u5eca\uff0c\u610f\u5927\u5229\u7c73\u5170<\/td>\r\n<\/tr>\r\n\r\n2013<\/td>\r\n\u201cTatsuo Miyajima: I-Model,\u201d \u91cc\u68ee\u753b\u5eca\uff0c\u82f1\u56fd\u4f26\u6566<\/td>\r\n<\/tr>\r\n\r\n <\/td>\r\n\u201cLife (Rhizome),\u201d Buchmann Galerie, \u5fb7\u56fd\u67cf\u6797<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cLIFE I-model,\u201d SCAI the Bathhouse, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cHouse Lives with Time,\u201d \u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n2011<\/td>\r\n\u201cThree Time Train \/ Counter Voice on the Wall,\u201d \u5723\u52a0\u4ed1\u7f8e\u672f\u9986\uff0c\u745e\u58eb\u5723\u52a0\u4ed1<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cASHES TO ASHES, DUST TO DUST,\u201d UCCA, \u4e2d\u56fd\u5317\u4eac<\/td>\r\n<\/tr>\r\n\r\n2010<\/td>\r\n\u201cTime train,\u201d Six, \u65e5\u672c\u5927\u962a<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cDiamond in you,\u201d Galleri Andersson \/ Sandstr\u00f6m, \u745e\u5178\u65af\u5fb7\u54e5\u5c14\u6469<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cTatsuo Miyajima Solo Exhibition,\u201d BLD GALLERY, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n2008<\/td>\r\n\u201c38,\u201d Mongin Art Center, \u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cTatsuo Miyajima: Time Train:Zeit,Zahl und Kosmos,\u201d \u96f7\u514b\u6797\u8c6a\u68ee\u7684\u535a\u7269\u9986\uff0c\u5fb7\u56fd\u96f7\u514b\u6797\u8c6a\u68ee<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cTatsuo Miyajima Art in You,\u201d \u6c34\u6237\u827a\u672f\u9986, \u65e5\u672c\u8328\u57ce<\/td>\r\n<\/tr>\r\n\r\n2005<\/td>\r\n\u201cBEYOND THE DEATH,\u201d \u718a\u672c\u5e02\u73b0\u4ee3\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u718a\u672c<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cTATSUO MIYAJIMA,\u201d \u7f57\u9a6c\u5f53\u4ee3\u827a\u672f\u535a\u7269\u9986\uff0c\u610f\u5927\u5229\u7f57\u9a6c<\/td>\r\n<\/tr>\r\n\r\n2002<\/td>\r\n\u201cCount of Life,\u201d \u827a\u672f\u5584\u8f7d\u4e2d\u5fc3\uff0c\u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n2000<\/td>\r\n\u201cCount of Life,\u201d \u827a\u672f\u5584\u8f7d\u4e2d\u5fc3\uff0c\u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n1999<\/td>\r\nKeep Changing, Connect with Everything, Continue Forever,\u201d Abbazia di San Zeno, \u610f\u5927\u5229\u6bd4\u8428<\/td>\r\n<\/tr>\r\n\r\n1997<\/td>\r\n\u201cCounter Line,\u201d \u65e7\u91d1\u5c71\u73b0\u4ee3\u827a\u672f\u535a\u7269\u9986\uff0c\u7f8e\u56fd\u65e7\u91d1\u5c71<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cBig Time,\u201d Hayward Gallery, \u82f1\u56fd\u4f26\u6566<\/td>\r\n<\/tr>\r\n\r\n1996<\/td>\r\n\u201cTatsuo Miyajima,\u201d \u5361\u5730\u4e9a\u5f53\u4ee3\u827a\u672f\u57fa\u91d1\u4f1a\uff0c\u6cd5\u56fd\u5df4\u9ece<\/td>\r\n<\/tr>\r\n\r\n1995<\/td>\r\n\u201cRunning Time\uff0dClear Zero,\u201d Queen\u2019s House, Greenwich, \u82f1\u56fd\u4f26\u6566<\/td>\r\n<\/tr>\r\n\r\n1992<\/td>\r\n133651,\u201d \u78d0\u57ce\u5e02\u5e02\u7acb\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u798f\u5c9b<\/td>\r\n<\/tr>\r\n\r\n1991<\/td>\r\n\u201cRegion,\u201d \u540d\u53e4\u5c4b\u5e02\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u7231\u77e5\u53bf<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201c133651,\u201d DAAD Galerie, \u5fb7\u56fd\u67cf\u6797<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cTatsuo Miyajima,\u201d Het Kruithuis, Museum for Contemporary Art, `s-Hertogenbosch\uff0c\u8377\u5170<\/td>\r\n<\/tr>\r\n\r\n1990<\/td>\r\n\u201cHiroshima Installation,\u201d\u5e7f\u5c9b\u5e02\u73b0\u4ee3\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u5e7f\u5c9b<\/td>\r\n\r\n","protected":false},"excerpt":{"rendered":"

2025 “Human Life as Collective Experience” \u4e9a\u6d32\u5927\u5b66\u9644\u5c5e\u73b0\u4ee3\u7f8e\u672f\u9986\uff0c\u53f0\u6e7e\u53f0\u4e2d “Endless Life Cycles” Tao […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":334,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-343","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":61,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages\/343\/revisions"}],"predecessor-version":[{"id":6714,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages\/343\/revisions\/6714"}],"up":[{"embeddable":true,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages\/334"}],"wp:attachment":[{"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/media?parent=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}