{"id":347,"date":"2014-06-13T19:53:15","date_gmt":"2014-06-13T10:53:15","guid":{"rendered":"http:\/\/tatsuomiyajima.com\/?page_id=347"},"modified":"2026-02-27T14:17:38","modified_gmt":"2026-02-27T05:17:38","slug":"group","status":"publish","type":"page","link":"https:\/\/tatsuomiyajima.com\/chinese\/cv\/group\/","title":{"rendered":"\u7fa4\u5c55"},"content":{"rendered":"\r\n2025<\/td>\r\n“#WhereDoWeStand? \u2014 Art in Our Time” \u4eac\u90fd\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u4eac\u90fd\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“\u7686\u4e3a\u5149 \u5149\u4e0e\u7a7a\u95f4\u7684\u6628\u5929\u548c\u4eca\u5929” \u6bd4\u52d2\u8d39\u5c14\u5fb7\u7f8e\u672f\u9986\uff0c\u5fb7\u56fd\u6bd4\u52d2\u8d39\u5c14\u5fb7\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“\u65f6\u4ee3\u7684\u7a1c\u93e1\uff1a1989-2010\u5e74\u8bde\u751f\u4e8e\u65e5\u672c\u7684\u827a\u672f\u8868\u73b0” \u56fd\u7acb\u65b0\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u4e1c\u4eac\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“\u4e16\u754c\u535a\u89c8\u4f1a2025” Better Co-Being\u9986\uff0c\u65e5\u672c\u5927\u962a\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“\u4e0d\u65ad\u53d8\u5316\uff0c\u4e07\u7269\u76f8\u8fde\uff0c\u6c38\u8fdc\u6301\u7eed” \u5927\u90b1\u7f8e\u672f\u9986\uff0c\u97e9\u56fd\u5927\u90b1\r\n<\/td>\r\n<\/tr>\r\n2024<\/td>\r\n“Electric Dreams Art and Technology Before the Internet” \u6cf0\u7279\u73b0\u4ee3\u7f8e\u672f\u9986\uff0c\u82f1\u56fd\u4f26\u6566\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“\u65b0\u7ece\u56fd\u9645\u53cc\u5e74\u5c55” \u65b0\u7ece\u7f8e\u672f\u9986, \u4e2d\u56fd\u6cb3\u5317\u5eca\u574a\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“\u5361\u5730\u4e9a\u5728\u65e5\u672c\u8de8\u8d8a\u7684\u534a\u4e16\u7eaa\uff1a\u7f8e\u4e0e\u827a\u672f\u7684\u6c38\u6052\u5bf9\u8bdd” M+, \u4e1c\u4eac\u56fd\u7acb\u535a\u7269\u9986\uff0c\u65e5\u672c\u4e1c\u4eac\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“\u5c71\u9e23\u6c34\u5e94 Shanshui: Echoes and Signals” M+, \u4e2d\u56fd\u9999\u6e2f\r\n<\/td>\r\n<\/tr>\r\n2023<\/td>\r\n“\u4e16\u754c\u8bfe\u5802\uff1a\u4ece\u8bed\u8a00\u3001\u6570\u5b66\u3001\u79d1\u5b66\u5230\u793e\u4f1a\u7814\u7a76\u63ed\u793a\u73b0\u4ee3\u827a\u672f\u7684\u5168\u8c8c” \u68ee\u7f8e\u672f\u9986, \u65e5\u672c\u4e1c\u4eac\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“What Matters: A Proposition in Eight Rooms” \u65e7\u91d1\u5c71\u73b0\u4ee3\u827a\u672f\u535a\u7269\u9986, \u7f8e\u56fd\u52a0\u5dde\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“I’ll Be Your Mirror: Art and the Digital Screen” \u6c83\u65af\u5821\u73b0\u4ee3\u827a\u672f\u535a\u7269\u9986\uff0c\u7f8e\u56fd\u5fb7\u514b\u8428\u65af\u5dde\u6c83\u601d\u5821\r\n<\/td>\r\n<\/tr>\r\n2022<\/td>\r\n“CHAOS : CALM \u66fc\u8c37\u53cc\u5e74\u5c55” \u66b9\u7f57\u535a\u7269\u9986, \u6cf0\u56fd\u66fc\u8c37\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“Time Tunnel \u2013 Japan and the Jews” \u5b63\u79d1\u4eac\u65e5\u672c\u7f8e\u672f\u9986, \u4ee5\u8272\u5217\u6d77\u6cd5\r\n<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“CHANGING LANDSCAPE \/ CHANGING MUSEUM” \u74e6\u5c14\u5f17\u91cc\u767b\u96d5\u5851\u516c\u56ed, \u5fb7\u56fd\u4f0d\u73c0\u5854\u5c14<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“ON ON KAWARA” \u5723\u52a0\u4ed1\u7f8e\u672f\u9986, \u745e\u58eb<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“\u7b2c23\u5c4a\u7c73\u5170\u56fd\u9645\u4e09\u5e74\u5c55”\u610f\u5927\u5229\u7c73\u5170<\/td>\r\n<\/tr>\r\n2021<\/td>\r\n“\u4e16\u754c\u4e0d\u96a8\u4eba\u985e\u751f\u6ec5” \u570b\u7acb\u81fa\u7063\u7f8e\u8853\u9928, \u81fa\u7063\u81fa\u4e2d\u5e02\r\n<\/td>\r\n<\/tr>\r\n<\/td>\r\n“Art Collaboration Kyoto,” \u65e5\u672c\u4eac\u90fd<\/td>\r\n<\/tr>\r\n<\/td>\r\n“\u795e\u5bab\u4e4b\u68ee\u827a\u672f\u8282” \u660e\u6cbb\u795e\u5bab, \u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n<\/td>\r\n“Project Unfold X” \u4e1c\u5927\u95e8\u8bbe\u8ba1\u5e7f\u573a, \u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n“Catastrophe and Recovery” \u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n<\/td>\r\n“Water Reverie” Borusan Contemporary, \u571f\u8033\u5176\u4f0a\u65af\u5766\u5e03\u5c14<\/td>\r\n<\/tr>\r\n2020<\/td>\r\n\u201cSTARS: Six Contemporary Artists from Japan to the World\u201d\u68ee\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cCUTOFF\u201d Buchmann Galerie, \u5fb7\u56fd\u67cf\u6797<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cMindfulness\u201d Piknic, \u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n2019<\/td>\r\n\u201c24\/7\u201d \u8428\u9ed8\u585e\u7279\u516c\u7235\u5e9c\uff0c\u82f1\u56fd\u4f26\u6566<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cREPETITION AND DIFFERENCE: ABOUT TIME\u201d \u91dc\u5c71\u5e02\u7acb\u7f8e\u672f\u9986\uff0c\u97e9\u56fd\u91dc\u5c71<\/td>\r\n<\/tr>\r\n\r\n2018<\/td>\r\n\u201cMinimalism: Space. Light. Object.\u201d \u65b0\u52a0\u5761\u56fd\u5bb6\u7f8e\u672f\u9986\uff0c\u65b0\u52a0\u5761<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cCatastrophe and the Power of Art,\u201d \u68ee\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cDREAM,\u201d Chiostro Del Bramante, \u610f\u5927\u5229\u7f57\u9a6c<\/td>\r\n<\/tr>\r\n\r\n2017<\/td>\r\n\u201cEverything at Once,\u201d \u91cc\u68ee\u753b\u5eca x Vinyl Factory, \u82f1\u56fd\u4f26\u6566<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cReborn-Art Festival 2017,\u201d \u65e5\u672c\u5bab\u57ce\u53bf\u77f3\u5377\u5e02<\/td>\r\n<\/tr>\r\n\r\n2014<\/td>\r\n\u201cLogical Emotion, Contemporary Art from Japan,\u201d Museum Haus Konstruktiv, \u745e\u58eb\u82cf\u9ece\u4e16<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cLifescape,\u201d \u8d44\u6df1\u5802\u753b\u5eca\uff0c\u65e5\u672c\u4e1c\u4eac<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cArt Meeting 2014,\u201d Former Minamiohira Branch of Second elementary school, \u65e5\u672c\u798f\u5c9b\u53bf\u7530\u4eba\u6751<\/td>\r\n<\/tr>\r\n\r\n2013<\/td>\r\n\u201cAsian Code-Zero,\u201d \u9996\u5c14\u5965\u6797\u5339\u514b\u7f8e\u672f\u9986\uff0c\u97e9\u56fd\u9996\u5c14<\/td>\r\n<\/tr>\r\n\r\n2012<\/td>\r\n\u201cCarpe Diem- Seize the day,\u201d \u4e30\u7530\u5e02\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u7231\u77e5\u53bf<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cMarking Time,\u201d \u6fb3\u5927\u5229\u4e9a\u5f53\u4ee3\u827a\u672f\u535a\u7269\u9986\uff0c\u6fb3\u5927\u5229\u4e9a\u6089\u5c3c<\/td>\r\n<\/tr>\r\n\r\n2009<\/td>\r\n\u201cIN-FINITUM,\u201d \u4f5b\u56fe\u5c3c\u5bab , \u610f\u5927\u5229\u5a01\u5c3c\u65af<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201c\u7b2c10\u5c4a\u54c8\u74e6\u90a3\u53cc\u5e74\u5c55 -Meeting Point,\u201d \u5723\u65b9\u6d4e\u5404\u5723\u6bbf\uff0c\u53e4\u5df4\u54c8\u74e6\u90a3<\/td>\r\n<\/tr>\r\n\r\n2008<\/td>\r\n\u201cProspect.1 New Orleans,\u201d\u7f8e\u56fd\u65b0\u5965\u5c14\u826f<\/td>\r\n<\/tr>\r\n\r\n2007<\/td>\r\n\u201cArtempo \u2013 Where Time Becomes Art \u201d \u4f5b\u56fe\u5c3c\u5bab\uff0c\u610f\u5927\u5229\u5a01\u5c3c\u65af<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cAGAINST THE CLOCK\u201d, IVAM (\u74e6\u4f26\u897f\u4e9a\u73b0\u4ee3\u827a\u672f\u9986), \u897f\u73ed\u7259\u5df4\u4f26\u897f\u4e9a<\/td>\r\n<\/tr>\r\n\r\n2004<\/td>\r\n\u201c\u5149\u5dde\u53cc\u5e74\u5c55 \u2013 A Grain of Dust A Drop of Water \u201d \u97e9\u56fd\u5149\u5dde<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cThe Snow Show,\u201d \u82ac\u5170\u51ef\u7c73\uff0c\u7f57\u74e6\u6d85\u7c73<\/td>\r\n<\/tr>\r\n\r\n2001<\/td>\r\n\u201cFacts of Life,\u201d Hayward Gallery, \u82f1\u56fd\u4f26\u6566<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cBlack Box,\u201d Kunstmuseum Bern, \u745e\u58eb\u4f2f\u5c14\u5c3c<\/td>\r\n<\/tr>\r\n\r\n1999<\/td>\r\n\u201cKRONOS & KAIROS,\u201d \u5f17\u91cc\u5fb7\u5229\u5e0c\u963f\u9c81\u95e8\u535a\u7269\u9986\uff0c\u5fb7\u56fd<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201c\u7b2c48\u5c4a\u5a01\u5c3c\u65af\u53cc\u5e74\u5c55: Whither the Arts?\u201d \u610f\u5927\u5229\u5a01\u5c3c\u65af<\/td>\r\n<\/tr>\r\n\r\n1996<\/td>\r\n\u201cProject for Survival,\u201d \u4eac\u90fd\u56fd\u7acb\u73b0\u4ee3\u7f8e\u672f\u9986, \u4e1c\u4eac\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\uff0c\u65e5\u672c<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\nTranquility,\u201d\u5343\u53f6\u5e02\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u5343\u53f6<\/td>\r\n<\/tr>\r\n\r\n1995<\/td>\r\n\u201cRipple Across the Water \u201995,\u201d \u957f\u5d0e\u6d66\u4e0a\u6cb3\u5ddd \uff0c\u4e1c\u4eac\u548c\u591a\u5229\u7f8e\u672f\u9986\uff0c\u6e0b\u8c37\u5ddd\u516c\u56ed\uff0c\u65e5\u672c<\/td>\r\n<\/tr>\r\n\r\n1994<\/td>\r\n\u201cCocido y Crudo,\u201d \u7d22\u83f2\u4e9a\u738b\u540e\u56fd\u5bb6\u827a\u672f\u4e2d\u5fc3\u535a\u7269\u9986\uff0c\u897f\u73ed\u7259\u9a6c\u5fb7\u91cc<\/td>\r\n<\/tr>\r\n\r\n1992<\/td>\r\n\u201cPerforming Objects,\u201d \u6ce2\u58eb\u987f\u5f53\u4ee3\u827a\u672f\u9986\uff0c\u7f8e\u56fd\u6ce2\u58eb\u987f<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cArt at the Armory: Occupied Territory,\u201d \u829d\u52a0\u54e5\u5f53\u4ee3\u827a\u672f\u535a\u7269\u9986\uff0c\u7f8e\u56fd\u829d\u52a0\u54e5<\/td>\r\n<\/tr>\r\n\r\n1991<\/td>\r\n\u201cThe 51th Carnegie International,\u201d Mattress Factory, \u7f8e\u56fd\u5339\u5179\u5821<\/td>\r\n<\/tr>\r\n\r\n1990<\/td>\r\n\u201c\u7b2c8\u5c4a\u6089\u5c3c\u53cc\u5e74\u5c55: The Readymade Boomerang,\u201d\u65b0\u5357\u5a01\u5c14\u58eb\u7f8e\u672f\u9986\uff0c\u6fb3\u5927\u5229\u4e9a\u6089\u5c3c<\/td>\r\n<\/tr>\r\n\r\n1989<\/td>\r\n\u201cMagicien de la terre,\u201d \u56fd\u7acb\u73b0\u4ee3\u827a\u672f\u535a\u7269\u9986\uff0c\u84ec\u76ae\u675c\u4e2d\u5fc3\uff0c\u6cd5\u56fd\u5df4\u9ece<\/td>\r\n<\/tr>\r\n\r\n<\/td>\r\n\u201cProspect \u201989\u201d, \u6cd5\u5170\u514b\u798f\u827a\u672f\u534f\u4f1a, \u5fb7\u56fd\u6cd5\u5170\u514b\u798f<\/td>\r\n<\/tr>\r\n\r\n1988<\/td>\r\n\u201c\u7b2c43\u5c4a\u5a01\u5c3c\u65af\u53cc\u5e74\u5c55: Aperto \u201988\u201d, \u610f\u5927\u5229\u5a01\u5c3c\u65af<\/td>\r\n","protected":false},"excerpt":{"rendered":"

2025 “#WhereDoWeStand? \u2014 Art in Our Time” \u4eac\u90fd\u56fd\u7acb\u8fd1\u4ee3\u7f8e\u672f\u9986\uff0c\u65e5\u672c\u4eac\u90fd “\u7686\u4e3a\u5149 \u5149\u4e0e\u7a7a\u95f4\u7684\u6628\u5929\u548c\u4eca\u5929” \u6bd4\u52d2\u8d39\u5c14\u5fb7\u7f8e\u672f\u9986\uff0c\u5fb7\u56fd\u6bd4 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":334,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-347","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages\/347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/comments?post=347"}],"version-history":[{"count":70,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages\/347\/revisions"}],"predecessor-version":[{"id":6872,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages\/347\/revisions\/6872"}],"up":[{"embeddable":true,"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/pages\/334"}],"wp:attachment":[{"href":"https:\/\/tatsuomiyajima.com\/chinese\/wp-json\/wp\/v2\/media?parent=347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}